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Apricot Rosemary Ice Cream by elin o'Hara slavick

  • 4 days ago
  • 2 min read

I don’t know how to write a poem

about apricot rosemary ice cream

and downs syndrome oysters.


They both melt on the tongue

with powerful differences.

One churned after being picked

and snipped by local fingers,

served on the edge of a cliff

in a cobblestone town

that stands the test of time –


thick houses shuttered,

an empty church on fire with light inside,

a pizza truck outside,

the fountains of clothes-washing water,

not to drink.


The other plucked from the sea,

shucked and served by my husband

with lemon wedges and explanations

of how everything comes to be.


I read in Bewilderment

about the four Buddhist immeasurables –

Be kind toward everything alive.

Stay level and steady.

Feel happy for any creature anywhere that is happy.

Remember that any suffering is also yours.


But I still step on large black ants

swarming around the saltwater pool,

running inside from the allergic bees,

easily exasperated by other people’s

obvious suffering.


The savory sweetness cooling

our hot August mouths.

Fruit and herb, cold cream.

The salty eye of a shelled soft lung

breathing to be eaten.

I always wanted to eat my mother.



elin o'Hara slavick is an interdisciplinary artist. She received her BA from Sarah Lawrence andher MFA in Photography at the School of the Art Institute of Chicago. A Professor

at UNC, Chapel Hill for 27 years, she has held residencies in Canada, France,

Japan, Caltech and UC, Irvine. She has exhibited internationally, and is in many

collections, including Queens Museum, National Library of France, Library of

Congress, Nasher Museum and the Art Institute of Chicago. Slavick is the author

of two monographs - Bomb After Bomb: A Violent Cartography and After

Hiroshima; Cameramouth - a collection of surrealist poetry; and Holding History

in Our Hand, commissioned for the 75th commemoration of Hiroshima and

Nagasaki. She is the founder of SWANS: Slow War Against the Nuclear State, a

collective of artists. Her work has been featured in the New York, Tokyo, and LA

Times, San Francisco Chronicle, Asia-Pacific Journal, Women’s Studies Quarterly,

the Brooklyn Rail, Cultural Politics, Afterimage, among other publications.


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